Experience

PIXAR (2006-Present)

Coco & Cars 3

• Shot Lighting and Compositing
• Supervised lead lighters and surfacing

Two Ghosts/Nimble Collective (2016)

Coin Operated

• Master Lighting for the entire short
• Shot lighting for most of the short

ILM (2016)

Teenage Mutant Ninja Turtles: Out of the Shadowos

• Shot Lighting

PDI/DreamWorks (1996-2015)

Boss Baby

• Look of picture development
• Supervised lead lighters and surfacing

B.O.O.: Bureau of Otherworldly Operations

• CG/Lighting Supervisor
• Look development (city)
• Lit and composited an entire sequence

How to Train Your Dragon 2 (2014)

• Lit and composited FX shots
• Snow look development 

Mr. Peabody & Sherman (2014)

• Look development (characters)
• Supervised high complexity sequences(Venice, School Drive, NYC, French Revolution)
• Lit and composited an entire sequence (classroom)

Madagascar 3: Europe's Most Wanted (2012)

• CG Supervisor

Puss in Boots (2012)

• CG Supervisor. Sequences with the highest quota.

Kung Fu Panda 2 (2011)

• Shot lighting and compositing

Megamind: The Button of Doom (Video short) (2011)

• CG Supervisor

Megamind (2010)

• Shot work. Lighting & Compositing

Merry Madagascar (TV Short) (2009)

• CG Supervisor
• Supervised Paint Fix Department for India sequences.

Monsters vs. Aliens  2009

• Shot work. Lighting & Compositing

Madagascar: Escape 2 Africa (2008)

• Artistic Supervisor: Lighting
• Look development. Optimized and cleaned up all legacy characters with surfacing supervisor. Initiated vdev environment with different lighting conditions to keep surfacing, shading and lighting consistent between all characters. Supervised and built most characters manes with LOD settings in mind
• Supervised high complexity sequences
• Lit and composited one-off shots
• Worked with upstream departments to fix technical issues with the Penguin’s modeling and Character TD work which were causing problems that had to be fixed by Lighting and Paint Fix departments per shot, saving lots of time.

Shrek the Third (2007)

• Artistic Supervisor: Lighting
• Lit and composited an entire sequence

Over the Hedge 2006

• Artistic Supervisor: Lighting
• Fixed shader network on main villain

 The Madagascar Penguins in a Christmas Caper 2005(Short) (CG supervisor)

• Artistic Supervisor: Lighting

 Madagascar 2005

• Artistic Supervisor: Lighting
• Optimized characters

 Shrek 2 (2004) 

•  Artistic Supervisor: Lighting
•  Supervised several environment lighting rigs
•  Look of picture development
• Defined techniques to light human characters
• Stepped in to revise character lighting

Sinbad: Legend of the Seven Seas  (2003)

•  Trained and mentored DreamWorks Glendale staff
•  Lead lighting

Shrek 4-D 2003 (Short)

•  Environment and character rig development
•  Lead lighting

Shrek in the Swamp Karaoke Dance Party (2001) (Video short)

•  Shot lighting and compositing

Shrek (2001)

•  First animated movie to win an Academy Award
•  Look development. Defined Fiona’s lighting technique. Optimized hair. Shader work on dress
•  Lead Lighting, shot work and compositing
•  Re-lit Fiona on over 30 shots        

CyberWorld (Short) (2000)

•  Lead lighter (Simpsons sequence)

Antz (1998)

•  DreamWorks first CG movie
•  Look development
•  FX work on “mung” and champagne lake
•  Shot lighting and compositing

The Peacemaker (1997)

•  DreamWorks first movie
•  VFX train scenes

Windlight Studios (1995-1996)

• Generalist work(modeling, surfacing, animation, FX, compositing)

Ballerina Barbie
Workout Barbie
My Size Princess Barbie
Olympic Gymnast Barbie
Pillsbury's Bakeout
Cyberforce

Lamb & Company (1992-1995)

The Incredible Crash Dummies (TV Movie) 1993

• First ever 20 minutes of continuous CG.
• Modeling and motion capture work.

Transformers
Domino's Pizza
Nerf's“Ballzooka” 
Monopoly
Target “Rose”
Best Buy
Rainbow Japan “Chain”
Tyko's “X-treme Racing” and “Ricochet”
Keebler's “Munch'ems”

• Generalist work(modeling, surfacing, animation, FX, compositing)